From the Prophet’s Messenger to the Master of Pickpockets: Amr-i Ayyar as a Trickster in the Ottoman Tradition Peygamber Elçisinden Yankesicilerin Pirine: Osmanlı Geleneğinde Bir Oyunbaz [Trickster] Olarak Amr-ı Ayyâr


SAMANCI M.

Osmanli Medeniyeti Arastirmalari Dergisi, cilt.2026, sa.28, ss.227-251, 2026 (Scopus, TRDizin) identifier identifier

  • Yayın Türü: Makale / Tam Makale
  • Cilt numarası: 2026 Sayı: 28
  • Basım Tarihi: 2026
  • Doi Numarası: 10.21021/osmed.1735202
  • Dergi Adı: Osmanli Medeniyeti Arastirmalari Dergisi
  • Derginin Tarandığı İndeksler: Scopus, TR DİZİN (ULAKBİM)
  • Sayfa Sayıları: ss.227-251
  • Anahtar Kelimeler: Amr-i Ayyar, Hamzanama, janknama, pir, trickster
  • Bilecik Şeyh Edebali Üniversitesi Adresli: Evet

Özet

This article analyzes the trickster figure Amr-i Ayyar, found in literary and folkloric narratives of the Islamic world, through the genres of cenkname and Hamzaname within the Ottoman literary tradition, and inspired by the historical companion Amr b. Umayya’s universal trickster traits— such as cunning, agility, and boundary-defying behavior—are examined through comparative textual examples. Amr-i Ayyar’s physical description (short stature, beardlessness) is discussed within the framework of Ottoman physiognomy (kıyafet ilmi), revealing how these features were linked to deceitfulness and how they echo familiar types in Turkic-Islamic culture, such as Köse or Aldar Köse. His ability to disguise himself is highlighted as a means to ridicule enemies and introduce humor into the texts. At the same time, thievery is interpreted not merely as theft but as a performative act. The study also explores his proverbial repertoire, his presence in Alevi-Bektashi rituals, and his veneration as a pir (spiritual guide) by various groups, illustrating his layered cultural significance and continuity within Ottoman collective memory. Text analysis method was used as the method in the study. Ultimately, the article argues that with his dual nature—both sacred and transgressive—Amr-i Ayyar stands out as a notable trickster figure in Ottoman literature. By examining the localized reproduction of a universal archetype, the study makes an original contribution at the intersection of cultural history and literary analysis.