The ceramic female figurines dating back to 7000 BC are considered to be mother goddesses that symbolize maternity, femininity, reproduction, the continuity of life, and, therefore, fertility. Having been crowned with divinity at the beginning of human civilization, female is a gender that is still discussed through her equality, rights, representation, nomination, murder, rape, sexuality, sexiness, pregnancy, abortion, birth, politics, feminism, period, labor, beauty, body, diet, fashion, cover and, certainly, honor. Social pressure, traditional roles, bullying, the male dominated culture, violence, professional and domestic challenges etc. that women have to live with are a woman’s reality. This is a shared reality for women, who form almost the half of the population in Turkey. All these realities of women have been a topic of interest among artists from different disciplines from the time of mother goddess statues in the dark eras till today. This paper explores the problem of being a woman in Turkey by limiting it with the works of Contemporary Turkish Ceramics Artists who used these facts as their subjects. In this sense, the purpose of this paper is to discuss the problem of being a woman in Turkey through a few like-minded women ceramic artists’ reflections of the issue on their works as well as the technical and intellectual dimensions of these works.